Among the techniques and processes that satire can use, montage has a special status in that, rather than functioning by altering a discourse or reality (through misappropriation or amplification), it rearranges the elements used in a preexisting discourse. As a result, inventio depends on dispositio. This article focuses on the use of montage as a satirical device in the works of Sophie Divry, Sandra Lucbert and Nathalie Quintane. It also looks at the comedic limits of satire in today’s world, where the line between reality and satire is becoming increasingly blurred.