There are multiple points of contact between Novarina and Artaud. We will not tell a tale of family, influence, or derivation, but one of common concern – a shared questioning of the inhumanity of language. FromMallarmé’s coup de dés to the anthropoglyphs-hieroglyphs that arise on the page, a common crossing of the inhuman is revealed : Artovarina, a body-theatre always in the process of upheaval or “surrection”.