Valère Novarina’s theatre takes up and transforms Augustine’s reflection on time as a distension of the soul. Confronting the aporia of time’s being and non-being, it projects the inner experience of the stretched-out mind onto the space of the stage through the unfolding of speech. This theatre is also the site of a struggle with time ; Novarina’s dispersion of multiple temporalities produces a joyful explosion that liberates stage and spectator from our chronic illness, and transforms the time that inhabits us into an inhabitable space.