The heterogeneity of the definitions of metalepsis and its variable scope – from temporal metonymy of M. Bonhomme to narratological figure of G. Genette – leads us to reconsider this figure in a pragma-enunciative approach. We show that a shift in speech and a selection of point of view are added to the first criteria, of (chrono)logic reordering and indirect name. These two new criteria produce a shortcut both referential and enunciative. We then examine the nature of this para-informative shortcut and dynamic changes of points of view on the same object. The study of the stage setting of the points of view and