In 1992, with L’Île des rêves écrasés, Chantal Spitz wrote the first Tahitian novel. This work, a fundamentally anticolonialist one, cannot step back before any challenge, for example, one which Deleuze or Guattari would not disown, which consists in shaking down, through an individual, Oceanian narrative, the established foundation of a collective, colonial historicity, or otherwise, ultimate paradox ! in restoring in writing and in French the sacredness and the oratorical, performative inspiration of an Oceanian tongue and world. In that way, this novel interrogates on the motley phenomena which the female writer imposes on the genre on the structural level as well as in the original representations of the character-writer or in those of the writing process.